Lady Gaga’s Alejandro video caused quite a stir with the  blasphemous nature of its imagery. Many people are, however, still  wondering: What is the meaning of the song and what message is the video  trying to convey? This article examines the occult symbols used in  Alejandro in order to understand its underlying message.
So, by show of hands, who envisioned gay Nazi soldiers being raped by Lady Gaga while first listening to Alejandro?  Okay, counting … one person. One sick, disturbed person. But seriously,  art doesn’t have to be literal and Lady Gaga’s latest video surely  isn’t. As was the case with Bad Romance and Telephone, the video for Alejandro adds another layer of interpretation to the song by giving the words a deeper meaning.
Taking place in a cold, Orwellian, militaristic setting, the visuals  of the video sharply contrast with the “summer-y” Latin beat of the  song. Other opposing concepts collide and blend in the video as well:  good vs. evil, male vs. female and domination vs. submission. The  religious symbolism, in addition to adding the “shock factor” necessary  to get people talking, gives the song a definite spiritual connotation.
The video for Alejandro is very symbolic and leaves it open  for multiple interpretations. For instance, I’ve read an interpretation  of the video claiming that it portrays the Catholic church’s repression  of the gay community. This interpretation might have some validity to  it, but it ignores many important aspects of the video. Other observers  seem to believe that all videos with religious imagery are “tributes to  Madonna.” Yes, Madonna did Like a Prayer, but this doesn’t  explain anything in Gaga’s video. In addition to a possible tribute, the  symbolism of the video tells a story of spiritual rejection and  metamorphosis taking place in the context of an oppressive police state.  The trend of incorporating militaristic and oppressive imagery in  recent music videos has been discussed in some previous articles on  Vigilant Citizen.
Spiritual Transformation
The most prevalent theme in the song is rejection. The introduction of the song establishes this concept right away:
“I know that we are young.
And I know you may love me.
But I just can’t be with you like this anymore,
Alejandro.”
And I know you may love me.
But I just can’t be with you like this anymore,
Alejandro.”
The video starts with a funeral procession. Gaga wears a black veil  and holds the Sacred Heart, the bleeding heart of God for humanity.  Something is dead inside of Gaga and it seems to be her love for  Alejandro.
But who is Alejandro? A gay guy  she cannot be with? A man she is cheating on with Roberto and Fernando?  All possibilities, the song is not quite clear about that. The imagery  of the video, however, tells the viewers that Alejandro might stand for  something deeper.
In a later scene, Gaga is shown laying down, wearing a red latex nun suit and holding a rosary. 
Looking at the sky she says: “Stop, please, just let me go.” Then, just when she says “Alejandro,” she raises her hands to  the sky. In this context, it is safe to say that Alejandro might very well be God.
“She hides true love
En su bolsillo.
She’s got a halo ’round her finger,
Around you.”
En su bolsillo.
She’s got a halo ’round her finger,
Around you.”
The  halo around the finger is a wedding ring and Alejandro has a halo  around him, which signifies he is considered “holy.” The wedding ring  represents Gaga’s union with God through religion, but she is now  ashamed of this marriage. She hides the ring in her bolsillo, the  Spanish word for pocket. Why does she refer to a Fernando and a Roberto  at some point? Is she referring to the triple aspect of God, the holy  Trinity?
The concept of rejection is thus  applied to God as he does not seem to satisfy Gaga’s spiritual needs.  She then decides to seek godhood herself by embracing a new type of  spirituality. It seems to me the nun becomes a Luciferian priestess.

 
- Luciferian priestess hiding one eye as a sign of Illuminati control or loyalty
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 Inverted Cross
Gaga’s robe contains many inverted  crosses. This is extremely significant in symbolic language. The cross  is a symbol of the Christian faith as it represents Jesus Christ’s  sacrifice and resurrection. In Christianity, the inverted cross is known  as the “Cross of St. Peter”, in honor of Simon Peter who requested to  be crucified upside down because he felt unworthy to be put to death in  the same matter as Christ. In  non-Christian circles, however, the inversion of the cross represents  the perversion and desecration of what it symbolizes. For this reason,  inverted symbols are found in black magic and satanism.

The inverted cross, placed on Gaga’s crotch, becomes a phallic  symbol. Superimposed and combined with her female genitals, the theme of  androgyny becomes prevalent. In occult circles, the alchemical  transformation of the spiritual matter, the Great Work, must unite both  opposing energies.
Becoming a God

The rosary is a set of beads used in Catholic tradition for prayer  and meditation. By swallowing the rosary, Gaga incorporates within her a  symbol of religious devotion because 1) it is shocking and would get  media attention 2) represents Gaga seeking to obtain godhood by her own  means. We have here a symbolic representation of the tenets of  Luciferianism, which is the drive to attain divinity by one own means.  Lucifer is considered to be the active principle towards godhood, the  one who brought “divine light” to the humans.

In another scene, Gaga is shown giving the sign of benediction and  blessing, a gesture reserved in Catholicism to those who are considered  Holy.
Later in the video, Gaga is violently pushed around and abused by the  dancers surrounding her. She surrenders and removes her robe for  sexual, ritual initiation.

At the ending of the video, Gaga is consumed from within and her  “inner light” comes out, representing her transformation from the  physical to the spiritual plane.   Gaga’s performance at American Idol truly exploited the Luciferian theme of the song.-  
 Police State Imagery
Gaga’s spiritual transformation is taking place in a dark, oppressive  and militaristic backdrop. This trend in music videos has been  discussed in  The Transhumanist and Police State Agenda in Pop Music.   The article describes how the public is currently being bombarded with  militaristic and oppressive imagery, intertwined with sexuality, in  order to desensitize the public and create a subconscious positive  association. Alejandro is clearly a continuation of this agenda  set by the rest of the industry. During the entire video, we see in the  background a giant screen displaying scenes of social unrest, buildings  on fire and military police running around, placing the viewers in a  tense and oppressive ambience.

The video opens with men marching to a militaristic rhythm, some of  them having their heads covered, maybe hinting that those men are  prisoners of some sort. One of men is inside a pyramidal shape while  another holds a hexagram as the prisoners march. Is this a  representation of the masses marching to the rhythm of the elite,  holding up high the symbols of its own oppression?   Gaga is then shown  in a position of power, wearing a black, illuminated crown while looking over the prisoners performing for her.

The “Black Queen” removes one goggle at a time, flashing the  Illuminati All-Seeing Eye sign (discussed in many previous articles on  this site) and revealing the true nature of her power.
In this scene, Gaga wears a “gun bra,” in accordance with the agenda  of the sexualization of oppressive imagery. Her back-up dancers are  dressed in uniforms reminiscent of dictatorships of the era of Hitler,  Stalin, Franco and Mussolini. Political oppression is indeed sexy … oh  wait, no, it’s not … it actually goes against everything America  supposedly stands for.
Mind Controlled Slaves?

In a symbolic scene,  a soldier is shown attached to strings, like  marionette. He is not in control of his own movements and holds a gun on  his privates (more sexualization of weaponry). He stares blankly,  looking confused as a mind-control slave would.

In what looks like an internment camp, Gaga has the gay men bound to a  bed as she rapes them, in what looks like a reenactment of ritual  abuse.

In the final scene of the video, Gaga is shown attached to strings. Is she herself controlled into perpetuating this agenda?
In Conclusion
As stated above, the video to Alejandro is very complex and  symbolic, and lends itself to multiple interpretations, depending on the  viewer’s knowledge and point of view. There are, however, parts of the  video in which the symbolism is clear and concise, leaving little doubt  regarding the message being communicated. During the video, Gaga goes  through a very profound metamorphosis, rejecting Christian faith by  desecrating its symbols and embracing a new type of spirituality.  Is  Gaga’s transformation a representation of the transformation that is  currently happening on a worldwide scale? Are members of the elite, who  were thought to be part of “regular” religions, revealing their true,  Luciferian selves to the public? Will the New World Order leave  traditional religions in the dust to embrace a new type of spirituality?   Whatever the case may be, pivotal videos such as this one disseminate  into the collective unconscious a specific set of symbols and values  that will become, in time, “part of our culture.” In order to achieve  this, charismatic figures that are admired by the public are used make  those messages cool and trendy. Music fans have been subjected to an  intense creative drought in the past years, which caused them to be  desperate for a new, eccentric and iconic presence. So Lady Gaga comes  into the picture, slightly distances herself from the painfully  formulaic music acts and is heralded as the new pop princess. She also  brings with her all of the Illuminati agenda and flashes in her fans  faces the symbols of their own oppression. I’m sure many fans have a gut  feeling that something is wrong with her act, but still can’t stop  listening to her. They must tell themselves, “well, there is nothing  else to listen to.” And that’s what media monopolies are all about.  
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Inverted Cross
Gaga’s robe contains many inverted crosses. This is extremely significant in symbolic language. The cross is a symbol of the Christian faith as it represents Jesus Christ’s sacrifice and resurrection. In Christianity, the inverted cross is known as the “Cross of St. Peter”, in honor of Simon Peter who requested to be crucified upside down because he felt unworthy to be put to death in the same matter as Christ. In non-Christian circles, however, the inversion of the cross represents the perversion and desecration of what it symbolizes. For this reason, inverted symbols are found in black magic and satanism.The inverted cross, placed on Gaga’s crotch, becomes a phallic symbol. Superimposed and combined with her female genitals, the theme of androgyny becomes prevalent. In occult circles, the alchemical transformation of the spiritual matter, the Great Work, must unite both opposing energies.
Becoming a God
The rosary is a set of beads used in Catholic tradition for prayer and meditation. By swallowing the rosary, Gaga incorporates within her a symbol of religious devotion because 1) it is shocking and would get media attention 2) represents Gaga seeking to obtain godhood by her own means. We have here a symbolic representation of the tenets of Luciferianism, which is the drive to attain divinity by one own means. Lucifer is considered to be the active principle towards godhood, the one who brought “divine light” to the humans.
In another scene, Gaga is shown giving the sign of benediction and blessing, a gesture reserved in Catholicism to those who are considered Holy.
At the ending of the video, Gaga is consumed from within and her “inner light” comes out, representing her transformation from the physical to the spiritual plane. Gaga’s performance at American Idol truly exploited the Luciferian theme of the song.
Police State Imagery
Gaga’s spiritual transformation is taking place in a dark, oppressive and militaristic backdrop. This trend in music videos has been discussed in The Transhumanist and Police State Agenda in Pop Music. The article describes how the public is currently being bombarded with militaristic and oppressive imagery, intertwined with sexuality, in order to desensitize the public and create a subconscious positive association. Alejandro is clearly a continuation of this agenda set by the rest of the industry. During the entire video, we see in the background a giant screen displaying scenes of social unrest, buildings on fire and military police running around, placing the viewers in a tense and oppressive ambience.The video opens with men marching to a militaristic rhythm, some of them having their heads covered, maybe hinting that those men are prisoners of some sort. One of men is inside a pyramidal shape while another holds a hexagram as the prisoners march. Is this a representation of the masses marching to the rhythm of the elite, holding up high the symbols of its own oppression? Gaga is then shown in a position of power, wearing a black, illuminated crown while looking over the prisoners performing for her.
The “Black Queen” removes one goggle at a time, flashing the Illuminati All-Seeing Eye sign (discussed in many previous articles on this site) and revealing the true nature of her power.
Mind Controlled Slaves?
In a symbolic scene, a soldier is shown attached to strings, like marionette. He is not in control of his own movements and holds a gun on his privates (more sexualization of weaponry). He stares blankly, looking confused as a mind-control slave would.
In what looks like an internment camp, Gaga has the gay men bound to a bed as she rapes them, in what looks like a reenactment of ritual abuse.
In the final scene of the video, Gaga is shown attached to strings. Is she herself controlled into perpetuating this agenda?